{"id":6970,"date":"2024-02-21T12:04:27","date_gmt":"2024-02-21T11:04:27","guid":{"rendered":"https:\/\/inframethodology.cbs.dk\/?p=6970"},"modified":"2024-02-21T12:07:04","modified_gmt":"2024-02-21T11:07:04","slug":"the-key-and-the-content","status":"publish","type":"post","link":"https:\/\/inframethodology.cbs.dk\/?p=6970","title":{"rendered":"The Key and the Content"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Nabokov arises early in the morning and works. He does his writing on filing cards, which are gradually copied, expanded, and rearranged until they become his novels.<\/p>\n<cite><a href=\"https:\/\/www.theparisreview.org\/interviews\/4310\/the-art-of-fiction-no-40-vladimir-nabokov\">The Paris Review: The Art of Fiction No. 40<\/a><\/cite><\/blockquote>\n\n\n\n<p>I&#8217;m working through each section of a paper in the <a href=\"https:\/\/inframethodology.cbs.dk\/?page_id=3043\" data-type=\"page\" data-id=\"3043\">Craft of Research series<\/a> this spring using an image that has worked for me in the past, and which is by no means original, but which I think I just found a good way to label. In general, I <a href=\"https:\/\/inframethodology.cbs.dk\/?page_id=3994\" data-type=\"page\" data-id=\"3994\">tell students<\/a> to distinguish each section by their &#8220;bases&#8221; and their &#8220;aims&#8221;. The theory section, for example, is <em>based<\/em> on the literature and <em>aims<\/em> to activate the reader&#8217;s expectations of the object, while the analysis is <em>based<\/em> on the data and <em>aims<\/em> to challenge those expectations. (They can decide they have other bases and aims; the idea is to make sure they differ in ways they understand from section to section.) But I also tell them to compose their papers <em>one paragraph at a time<\/em> and we need some way to map the somewhat abstract aims and bases of the sections onto the paragraphs they comprise. This is where I think I may have hit on something.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><a href=\"https:\/\/inframethodology.cbs.dk\/wp-content\/uploads\/2024\/02\/Notecard.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"288\" src=\"https:\/\/inframethodology.cbs.dk\/wp-content\/uploads\/2024\/02\/Notecard.jpg\" alt=\"\" class=\"wp-image-6971\" style=\"width:283px;height:auto\" srcset=\"https:\/\/inframethodology.cbs.dk\/wp-content\/uploads\/2024\/02\/Notecard.jpg 480w, https:\/\/inframethodology.cbs.dk\/wp-content\/uploads\/2024\/02\/Notecard-300x180.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>Think of each paragraph as represented by an old-fashioned cardboard <a href=\"https:\/\/en.wikipedia.org\/wiki\/Index_card\">index card<\/a>. In the title field (above the red line), imagine your <a href=\"https:\/\/inframethodology.cbs.dk\/?page_id=1049\" data-type=\"page\" data-id=\"1049\">key sentence<\/a>, and then imagine a list of your sources on the rest of the card. I&#8217;ve always struggled to label that &#8220;rest&#8221;. Is it the &#8220;body&#8221; of the paragraph? Perhaps, but people also like to talk about &#8220;body paragraphs&#8221;, i.e., the paragraphs in an essay that are not the introduction or the conclusion. They also talk about &#8220;topic&#8221; sentences for these paragraphs, as distinct from the &#8220;thesis&#8221; statement of introductory paragraphs. But this doesn&#8217;t work for me because <em>every<\/em> paragraph, including those in the introduction, will have a &#8220;key&#8221; sentence, one of which will include the thesis statement, i.e., &#8220;This paper shows that&#8230;&#8221; And, in any case, to talk of &#8220;keys&#8221; and &#8220;bodies&#8221; seems to mix our metaphors (bodies don&#8217;t have locks), so I&#8217;ve always wanted another word for the the rest of the paragraph.<\/p>\n\n\n\n<p>Now, while a paragraph is <a href=\"https:\/\/inframethodology.cbs.dk\/?p=2362\" data-type=\"post\" data-id=\"2362\">not &#8220;a box within which&#8221; but &#8220;a center around which,&#8221;<\/a> it still occupies a definite volume. <a href=\"https:\/\/inframethodology.cbs.dk\/?p=2676\">It has a form.<\/a> And so we can talk about the &#8220;content&#8221; of the paragraph. The key sentence will set up a <a href=\"https:\/\/inframethodology.cbs.dk\/?p=6378\" data-type=\"post\" data-id=\"6378\">little difficulty<\/a> for the paragraph to solve and the content of the paragraph provides the resources we need to solve it. The paragraph &#8220;contains&#8221; the information we need to support, elaborate, or defend the key sentence. Again, although a paragraph isn&#8217;t really a box, the key sentence gives us a particular kind of &#8220;access&#8221; to the materials that paragraphs presents. The contents are arranged in such a way that the reader will find it easier to believe, understand, or agree with the key sentence.<\/p>\n\n\n\n<p>A research paper can consist of <a href=\"https:\/\/inframethodology.cbs.dk\/?p=6386\" data-type=\"post\" data-id=\"6386\">20 or 40 or 80<\/a> paragraphs (or more). Each paragraph can be represented by its key and its content, which, in turn, can be all be summarized on a single 3&#8243; x 5&#8243; piece of cardboard. (It is sufficient that you imagine this finitude, appreciate it; you don&#8217;t have to run out to an office-supply store.) Since a paragraph consists of no more than 200 words and takes under a minute to read, there is a limit to how many texts you can cite or how much data you can invoke. Reminding yourself of these limits is a good way to begin to face the much smaller difficulty that writing a paragraph for your theory section constitutes when compared to actually having a theory. The same can be said of the much smaller difficulty that writing a paragraph of analysis constitutes when compared with actually discovering the truth about your object. Try to keep these difficulties distinct, a half page for each little problem.<\/p>\n\n\n\n<p>_____<br>Image credit: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Index_card#\/media\/File:Notecard.jpg\">Wikipedia<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nabokov arises early in the morning and works. He does his writing on filing cards, which are gradually copied, expanded, and rearranged until they become his novels. The Paris Review: The Art of Fiction No. 40 I&#8217;m working through each section of a paper in the Craft of Research series this spring using an image &hellip; <a href=\"https:\/\/inframethodology.cbs.dk\/?p=6970\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Key and the Content<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6970","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/posts\/6970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6970"}],"version-history":[{"count":2,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/posts\/6970\/revisions"}],"predecessor-version":[{"id":6974,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=\/wp\/v2\/posts\/6970\/revisions\/6974"}],"wp:attachment":[{"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inframethodology.cbs.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}